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Vampyr is an action role-playing video game developed by Dontnod Entertainment and published by Focus Home Interactive. It was released for PlayStation 4, Windows, and Xbox One on 5 June 2018, and for Nintendo Switch on 29 October 2019. The plot relates how Jonathan Reid, a doctor who has turned into a vampire, is torn between the Hippocratic Oath and his newfound bloodthirsty nature.

While some boss battles are mandatory, most combat can be avoided, and the player is under no obligation to kill innocents to finish the game. Dialogue options are used for conversation and hunting prey to feed on, which replenishes strength and levels up the lead character. Weapons and supernatural abilities are employed while combatting enemies. Set during the era of the Spanish flu, London serves as a fictionalised semi-open world composed of four districts, amenable to destruction based on the player's actions. The game was first mentioned at a Focus Home event in January 2015.

The developers researched the setting by travelling to London and consulting history books and documentaries. The visuals were made with fictional and factual reference points in mind. Olivier Deriviere composed the original score and infused it with industrial music. The game was met with mixed reviews from critics, who praised the primary game mechanic, setting, character development, and voice acting, but criticised the combat, overall narrative, technical problems, aspects of the choice-based system, and animations. The game surpassed one million copies sold within ten months.

Vampyr is an action role-playing game played from a third-person view.[2] The player controls Jonathan E. Reid,[3] a doctor who was made into a vampire, and whose thirst for blood compels him to kill innocent people. To do this successfully, he must study and change his targets' habits, collect clues, and maintain relationships with the sixty citizens under his care in London,[4][5][6] which serves as a fictionalised semi-open world built around hubs of neighbourhoods tethered to other areas.[7][8][9] A skill tree facilitates the improvement of abilities, which is fuelled by experience points[10] gained from blood and, alternatively, investigation.[11] Feeding on human blood provides nourishment in addition to unlocking new vampiric powers.[3] Abilities can be manually activated and passively upgraded. Active skills afford defensive, aggressive, healing, and tactical measures; passive skills increase health, stamina, the blood gauge and absorption, bite damage and regeneration, and carry capacity.[12]

It is possible to finish the game without killing citizens,[2] which best preserves Reid's cover as a doctor,[13] but leaves him nearly incapable of levelling up.[14] Killing no one unlocks one of four endings.[15] He can turn people into vampires,[16] and is only able to enter a house with an invitation.[17] Locals each have their different backgrounds, relationships, and routines. If killed, they impart their last thought.[18] The \"Mesmerise\" ability controls the behaviour of weaker targets, like coercing them into revealing information,[19] or guiding them to less conspicuous areas so as to feed without combat.[9] With crafted medicine, Reid can heal the injured and sick, who if eaten,[7][16] will yield more experience points as a result;[5] the rate of their affliction can be viewed using vampire senses,[20] which also detect blood.[21] Each of the four districts has a score based on the average health of its citizens.[22][23] Reid navigates London using a waypoint,[21] and collectible documents are scattered around the city.[24]

Development began with a team of sixty people, later expanded to around eighty, many of whom worked on Dontnod Entertainment's previous project Life Is Strange.[5][31][32] The project was first revealed in January 2015 at a Focus Home event.[33] For a short time, the developer considered setting the game in 1950s America,[34] but after narrative director Stéphane Beauverger joined the project,[32] it was discarded to inspire a more gothic mood with focus on the 1918 Spanish flu pandemic, set in London. The paintings of Phil Hale influenced the art style, also for the purpose of atmosphere.[1] Dontnod researched the setting by visiting London and taking photographs,[5] but since the city had been largely rebuilt, history books and documentaries concerning Whitechapel, the London Docks, and the Isle of Dogs were also consulted.[29] The literary sources Liquid History: The Thames Through Time and The Book of Facial Expressions: Babies to Teens provided geographical and anthropological insight, respectively,[35] while the television series Casualty 1900s and The Knick were turned to for medical information.[27] Anthony Howell was hired to voice Jonathan Reid.[36] The characters and dialogue were scripted by two French writers and translated into English by two native speakers. Dontnod decided on the British accent, though the marketing department wanted more.[37] The period was studied using both factual and fictional reference points[b] to create the visuals, realised with photorealistic lighting,[38] and post-processes running on the Unreal Engine 4.[4][1] Motion capture was used to track character movement.[39] In August 2016, the major obstacles in developing the Xbox One version had been overcome with the assurance that there would be no downgrades despite its hardware disadvantages.[40] The game has one save slot, a decision Dontnod made for in-game choices to have \"real, meaningful impact\"; to avoid corrupted saves, they implemented backup systems.[41]

Adhering to either Reid's Hippocratic Oath or vampiric nature intends to explore the dualism of his survival as both a doctor and vampire.[1][42] Olivier Deriviere served as the composer throughout development,[43] infusing the score with industrial music to portray the solitude and inner struggle of the main character. Eric-Maria Couturier played the cello, whose sounds were intended to go from \"emotional\" to \"bestial\".[44] The bass flute, piano, double bass, and cimbalom (chosen for how it reflected that period in London) were also employed, each characterising an aspect of the story. Deriviere saw the choir as representing an oppressive influence on the main character, and thought its combination with industrial music was effective given the amount of post-processing.[45] The soundtrack was released on 3 May 2018 on Bandcamp, and launched on all digital platforms the day the game came out.[46] Vampyr was released to manufacturing in May 2018.[47]

The game was officially announced at E3 2015.[48] After a technical issue delayed it from its original November 2017 launch date, Vampyr was rescheduled for Q1/Q2 2018.[49][50] The final episode of a making-of video series revealed that it would be released on 5 June (for PlayStation 4, Windows, and Xbox One).[39][51] Those who pre-ordered the game gained access to bonus downloadable content called \"The Hunters Heirlooms\", which contained exclusive in-game cosmetics.[52][53] If pre-ordered through select retailers in Europe and Australia, a phonograph record of the soundtrack was included.[54]

In May 2018, Dontnod confirmed that Vampyr would not be using Denuvo Anti-Tamper, a technology criticised for damaging computer performance.[55] A launch trailer came out the following month, leading up to the release.[56] Two new difficulties, Story and Hard mode, launched on 26 September 2018.[57] Vampyr was added to Xbox Game Pass, a subscription-based service for Xbox One games, on 28 March 2019.[58] A Nintendo Switch version developed by Saber Interactive was released on 29 October 2019.[59][60]

Vampyr received \"mixed or average reviews\", according to review aggregator Metacritic.[61][62][63] Destructoid's Kevin Mersereau enjoyed the dialogue conversations, atmosphere, and character development.[65] Emma Schaefer of EGM declared Reid's dualism between doctor and vampire the title's greatest strength, while also praising the character development for imbuing \"even the lowest beggar\" with some importance.[66] Matt Utley at Game Revolution enjoyed the atmosphere, each district's distinct look, and aspects of the combat.[67] Writing for GameSpot, Justin Clark was impressed with the effect of decisions and how this tied into the core gameplay, calling it \"empowering\". He also commended the \"enthralling\" characterisations, \"exquisite\" setting, and \"captivating\" voice acting.[68] GamesRadar+'s Leon Hurley, like Schaefer, found the mechanic of testing Reid's morality compelling, calling the characters well-realised and integral. Also approved of was the \"atmospheric victorian London setting\".[69] Brandin Tyrrel, writing for IGN, termed Vampyr \"a fresh and genuine take\" on vampire mythology. He was generally satisfied with how choices turned out and said the recreation of London as a \"gloomy, somber city\" was bolstered by authentic characters, whose writing and performances he also enjoyed. Tyrrel welcomed the story and enjoyed the citizen mechanics,[70] something Andy Kelly at PC Gamer also appreciated, hoping that more video games would follow suit. He called the dialogue-driven storytelling \"compelling\" and the setting \"atmospheric\".[71] Alice Bell of VideoGamer.com wrote, \"Vampyr serves delicious ladles of angst and drama with a hearty slice of excellent, morally grey choice system that will genuinely surprise you, all wrapped up in a wonderfully gloomy London\".[72] 59ce067264

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