Full VERIFIED Movie Cabaret

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Cabaret: A Musical Drama Set in Nazi Germany

Cabaret is a 1972 American musical drama film directed by Bob Fosse and starring Liza Minnelli, Michael York, and Joel Grey. The film is based on the 1966 Broadway musical of the same name, which was adapted from the 1951 novel The Berlin Stories by Christopher Isherwood and the 1955 play I Am a Camera by John Van Druten.

The film follows the lives of Sally Bowles, a cabaret singer at the Kit Kat Klub, and Brian Roberts, a British academic, who become roommates and lovers in Berlin during the rise of the Nazi Party. The film explores themes of decadence, sexuality, politics, and identity in a turbulent historical context.

Cabaret was a critical and commercial success, winning eight Academy Awards, including Best Director, Best Actress for Minnelli, and Best Supporting Actor for Grey. It also won seven BAFTA Awards and three Golden Globe Awards. The film is widely considered one of the best musical films of all time and one of the greatest films ever made.Cabaret is not only a dazzling musical spectacle, but also a powerful political commentary on the rise of fascism and the dangers of apathy. The film uses the contrast between the glamorous and hedonistic world of the cabaret and the grim and violent reality of Nazi Germany to create a sense of irony and foreboding. The film also challenges the conventional norms of sexuality, gender, and morality, as the characters explore their identities and desires in a society that is becoming increasingly intolerant and oppressive.

One of the most striking scenes in the film is the performance of \"Tomorrow Belongs to Me\", a song that starts as a seemingly innocent folk tune sung by a young boy in a Nazi uniform, but gradually turns into a chilling anthem of nationalism and fanaticism, as more and more people join in. The scene shows how easily people can be seduced by propaganda and ideology, and how quickly they can abandon their individuality and humanity for a collective identity and purpose. The scene also foreshadows the tragic fate of many of the characters, who will either be persecuted or corrupted by the Nazi regime.

Cabaret is a film that does not shy away from showing the dark side of human nature, but also celebrates the resilience and courage of those who resist and defy it. The film is a masterpiece of musical cinema, with unforgettable songs, performances, and visuals. It is also a film that remains relevant and provocative today, as it warns us of the consequences of ignoring or tolerating evil.One of the most notable aspects of Cabaret is how different the film version is from the stage version. The film made several changes to the characters, plot, and songs of the musical, some of which were influenced by the original source material of Isherwood's stories and Van Druten's play. Some of the main differences are:

The film changed the nationality of Sally Bowles from English to American, and of Brian Roberts (formerly Cliff Bradshaw) from American to British. This was partly to suit the casting of Liza Minnelli and Michael York, and partly to emphasize their outsider status in Berlin. [^1^] [^2^]

The film omitted the subplot of Fraulein Schneider and Herr Schultz, a middle-aged couple whose romance is threatened by anti-Semitism. Their songs were also cut from the film, except for a brief instrumental version of \"Married\". [^1^] [^2^]

The film added the characters of Fritz Wendel and Natalia Landauer, a German gigolo and a wealthy Jewish heiress who fall in love. Their story was taken from I Am a Camera and did not appear in the musical. [^1^] [^3^]

The film replaced some of the songs from the musical with new ones written by Kander and Ebb, such as \"Mein Herr\" and \"Money, Money\". The film also included \"Maybe This Time\", a song that was not originally written for Cabaret but was later incorporated into the stage version. [^1^] [^2^]

The film made the Emcee a more sinister and ambiguous figure, who seems to mock or embrace the Nazi ideology depending on the situation. The film also changed the final line of his song \"If You Could See Her\" from \"She wouldn't be meeskite at all\" to \"She wouldn't look Jewish at all\", restoring Ebb's original lyrics that were censored on stage. [^1^] [^2^]

These differences make the film version of Cabaret a more realistic and disturbing portrayal of Nazi Germany, while also highlighting the themes of decadence, sexuality, and identity that run through both versions. The film version is widely regarded as one of the best adaptations of a musical ever made, and has influenced many other musical films since then. aa16f39245